ARTIST : ベティ
halloween is soon
Drag it now
Or on mobile tap it
whoops I made myself sad
That’s right, it’s fine. Because more than anyone or anything else, my legs and body are faster, sharper and stronger!
Gotta love new features! (part 1)
J - 4…
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!
OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.
LETS APPLAUD CAROL ROSSETTI EVERYONE
All of these are so beautiful <3
A trip down sensory lane.
Filmmakers take note- This five second scene not only fully describes a characters backstory, but the entire reason he acts the way he acts through the film, taking him from a villain to a sympathetic character and justifying a total reversal of his actions in the present. In five seconds, this movie does for the development of a character more than most movies do in two hours. This is why you should be studying Disney and Pixar along with Martin Scorsese and Stanley Kubrick, and ignoring professors and elitist students who deride them as “kids stuff.”
wasn’t there a theory that Anton’s childhood cottage is the cottage Remy learned his craft from eavesdropping inside before travelling to Paris, and the recipe he’s tasting really is his mother’s ratatouille?
these goatees got me heated
The sign of a true mega